Much as I want to like all of these books, there are, I'm afraid, a lot of fairly dull bodice-rippers and penny-dreadfuls lurking beneath the stunning cover art on the slew of mock-Victorian novels currently on the market, so it was with great joy that I discovered Rosie Garland's noir tale of life in a nineteenth-century freak show – The Palace of Curiosities.
Enticed by the gothic delicacy of cover art and then seduced by the Angela Carter comparison from Jenny Murray on the flyleaf, I delved into this novel with a mixture of anticipation and cautious scepticism – treating the alluring enticements to enter as nothing more than the world-weary siren call of an over zealous marketing man. But, miraculously, I was not disappointed this time, and though the wonderful Ms Garland, in fact, bears little resemblance to Angela Carter – she's far too original a voice to be a copy of anybody – The Palace of Curiosities is a dark and evocative exploration of the underbelly of Victorian society and a magic-realist journey through the fair grounds and freak shows that so fascinate this reviewer as a visual artist.
The novel follows the converging path of two outsiders, Eve the Lion Girl and Abel the Flayed Man – also known as Mr Lazarus – and takes us on an atmospheric journey that veers in and out of the (believable) supernatural and even manages a happy ending without ever once delving into sentimentality or sugary cliché. The writing is rich and verging on the poetic, and the characters are well-rounded and believable – Eve's story being particularly strong with a heady erotic undercurrent running throughout.
I very seldom resort to overblown kill-to-obtain-this-book soundbites, but this novel is a definite must-read. Highly recommended.
Max Scratchmann
Book: THE PALACE OF CURIOSITIES
Author: Rosie Garland
Publisher: HarperCollins
Suzi Feay has given 'The Palace of Curiosities' an amazing review on the Emerald Steet blog!
Two events make this weekend a goodie: International Women's Day and the launch of the inaugural Folio Prize Fiction Festival. There are events celebrating both occasions all weekend but tomorrow, the two overlap at On Reading Women, a discussion on literary heroines with authors Tessa Hadley and Frances Wilson, and literary critic Suzi Feay. There are still tickets left. Can't make it? Don't worry; Suzi has shared her favourite up-and-coming female fiction writers with us...
THE PALACE OF CURIOSITIES
BY ROSIE GARLAND (HARPERCOLLINS, £14.99)
"In this fabulously strange historical debut, a hair-covered young girl with the face of a lioness runs off to join a Victorian freak show and falls in love with a man who cuts himself. Throw in a super-creepy villain and you have a romp filled with sheer, demented fun."
I'm struck by the number of people who see biblical overtones in The Palace of Curiosities (especially how I named the characters), and who suppose that was my intention.
First up, there were no biblical intentions on my part. Secondly, if that's how you read the novel, that's absolutely fine by me.
The two main protagonists in the novel are called Eve and Abel. Some readers have seen a conscious tip 'o' the pen to the Genesis story: Eve being the first woman (except for Lilith of course – but moving swiftly on...) and Abel (her son, the 'nice' brother of Cain). All very compelling. Except that when I was writing the novel, none of the above crossed my mind.
Eve is named after my grandmother. Born in 1895 she was (just) a Victorian, and a wonderfully strong-minded woman to boot. She nurtured my love of reading and what greater gift could I have asked for. I named Eve in her honour.
As for Abel – his name is inspired by linguistic theory. There's a link below with references to more detailed studies, but here it is in brief. Human babies worldwide make very similar noises when they start to 'babble', regardless of the language they are born into. These first sounds are invariably ma-ma-ma and then da-da and ba-ba (hence words for mother / father in many languages being based on these clusters).
At the start of the novel, Abel is being 're/born' – with profound memory loss. I wondered what on earth he would say when asked his name. Maybe it went something like this, I reasoned.
- What's your name, mate?
- Ma-ma-ma.
- What did you say? Speak up, mate. Can't hear you.
- Ab-ba-ba.
- Abel, is that what you're trying to say? Eh?
- Yes. I am Abel (he breathes a sigh of relief, as he was getting panicky at not even remembering his own name).
So, no Bible. He's just babbling.
However, don't feel you have to believe me. I only wrote the darn thing.
That's the magic of novels. When they are out there - on the shelves, on your Kindle - they don't 'belong' to the author any more. They no longer exist in the vacuum of the author's mind.
What you bring to The Palace of Curiosities (and thank you for reading) is your own eye, your own ear, your own history, your own imagination. A whole life I have no idea about because it is yours. As soon is the book is read – it changes. Each reader makes it anew.
That is the alchemy of reading – and how very wonderful it is.
Further reading:
Click this link to go to Wiki page about language acquisition
Excerpt here:
"When I asked her what had kept her going when it didn't seem like her book was ever going to be published she answered with a plain and direct: 'Bloody-mindedness'.
She spoke about how she couldn't stop writing even if no one ever got to see her work – something I have to say, I agree with. She was fortunate to have very supportive friends and the dedication inside the opening page reflects this: To everyone who believed I could get here, even when I didn't. This, I have to admit, is one of the more touching dedications I have seen in a long while."
Read the full review here:
Really pleased to have an interview & feature in The Skinny this month!
It's free to pick up in venues round Liverpool & Manchester during October, or click on the link below and go to 'current issues'.
Friday, 16 May 2014
8pm – 11.30pm
Cost: €15.00 on the door
We're back. Making the impossible possible. Creating dreams and silliness. There's always something weird and wonderful about making shows, and this one will be no different. Travelling through time, freaks born of hybrid imaginings, fighter pilots, goddesses, damsels in corsets and bustles. Pocket watches and top hats and of course Inventions!
Bella A Go Go brings back the fabulous fantasy of Steampunk, a genre of mad science, invention, alternate histories and lots of fun.
Featuring:
Rosie Garland our Victorian/Steampunk author who will be reading from her book on the night and giving lots of unexpected delights!
Bella Agogo as our Master of Ceremonies
Azaria Starfire
Jonathan Walsh of Ether Productions aka Fabio Ego Deflatio
Fafa bellydance
Paddy Fagan aka Alter ego
Mo Cokley & troupe
Victorian/steampunk themed market with Crowzeye Jewellery N Sculpture and Ciaran Marcantonio selling his steampunk comics
Ticket Link
Winner of the Mslexia Novel Competition 2012, longlisted for The Desmond Elliott Prize 2013 and the Polari First Prize for First Book 2014. It was also winner of the Cooperative Bank 'Loved By You' LGBT Book of the Year 2013.
"Gentlemen and Ladies! You have come on a very special evening. How happy I am to welcome you to this Palace of Curiosities on such an auspicious occasion. What luck! What serendipity! For tonight we have mirth! Wit! And Jollity! We humbly offer for your discernment Wonder Unparalleled, Incredible Feats of Daring. Step inside for The Wonders of the Age! See The Lion-Faced Woman and The Marsyas of Modern Times, Star Attractions at Professor Arroner's Astonishing Marvels!"
The Palace of Curiosities: UK / Commonwealth all formats available (hardback, paperback, audio, ebook)
"Fabulously strange historical debut... a romp filled with sheer demented fun." - Suzi Feay
'The Palace of Curiosities is a jewel-box of a novel, with page after page, scene after scene, layer after layer of treats and surprises. Garland is a real literary talent: definitely an author to watch.' – Sarah Waters
'Garland's lush prose is always a pleasure.' – The Guardian
https://www.theguardian.com/books/2013/apr/06/palace-of-curiosities-review
'Garland has woven an alternately brutal and beautiful story about love and belonging in a vividly conveyed underworld, rich in carny phantasmagoria and lyrical romance.' – The Metro
http://metro.co.uk/2013/03/27/3560891-3560891/
'The bewitching Palace of Curiosities will appeal to fans of Angela Carter & magic realism alike.' - Good Housekeeping
'Fantastic... It's an intriguing tale in which the narrative deftly alternates between the two lead characters, drawing readers ever deeper into a world that is horrifying and dazzling but seems every bit as real as our own.' – Creative Tourist
https://www.creativetourist.com/articles/reading-and-writing/liverpool/in-the-land-of-publishing-persistence-is-king-rosie-garland-gets-a-break/
'Garland has produced a fascinating and delightful book. A cross between Philip Pullman and Angela Carter, she takes us on an evocative and wonderful journey full of magical delights and stunning set pieces... she made me gasp with the audacity of her ideas and smile with the light beauty of her prose.' - GScene
https://issuu.com/gscene/docs/gscene_jun13?e=1754316/5558671
'The characters are fascinating, and Victorian London is vividly captured, and of course the language sparkles like sharp-cut jewels.' – Elizabeth Baines
http://elizabethbaines.blogspot.co.uk/2013/04/rosie-garlands-launch-of-palace-of.html?spref=fb
'A stunning piece of work, with strong themes of identity, acceptance of the Other, and a touchingly unique love story between two fabulous main characters. I wouldn't be surprised if this is the benchmark against which the rest of this year's debuts will have to measure themselves.' – GoodReads
http://www.goodreads.com/review/show/454021227
Before Eve is born, her mother goes to the circus. She buys a penny twist of coloured sugar and perches on the edge of her seat to watch the heart-stopping main attraction: a lion, billed as a monster from the savage heart of Africa, forged in the heat of a merciless sun. Mama swears she hears the lion sigh, just before it leaps... and nine months later when Eve is born, the story goes, she doesn't cry – she meows and licks her paws.
When Abel is pulled from the stinking Thames, the mudlarks are sure he is long dead. As they search his pockets to divvy up the treasure, his eyes crack open and he coughs up a stream of black water. But how has he survived a week in that thick stew of human waste?
Cast out by Victorian society, Eve and Abel find succour from an unlikely source. They soar to fame as The Lion Faced Girl and The Flayed Man, star performers in Professor Josiah Arroner's Palace of Curiosities.
Set in 1850s London, this is the story of Eve and Abel; both freaks of nature searching for escape. It explores what it's like to be different, and traces their struggle for self-discovery on the boundaries of what is perceived as human.
Absolutely thrilled to announce this new film poem – created over 2021 in collaboration with amazing filmaker Jane Glennie. Inspired by the life of dancer and choreographer Tilly Losch, the film explores notions of erasure, strategies for persistence and the centrality of creative expression for the life of a woman in perpetual motion.
We are delighted with the reception the film is receiving! A list of film festivals is below.
AND there’s a ‘Book of the Film’!
'Because Goddess is Never Enough (Peculiarity Press, 2022)
Available from Blackwell’s (Waterstones, Amazon, etc)
https://blackwells.co.uk/bookshop/product/Because-Goddess-Is-Never-Enough-by-Rosie-Garland-Jane-Glennie/9781912384167
Flick through the book here –
https://photos.app.goo.gl/zzDN5KKbUccqPZsQ7
Film festivals & events 2022 that have selected & featured 'Because Goddess is Never Enough'
Moving Poems May 2022
'Because Goddess is Never Enough' – selected as one of ‘the best poetry films on the web’
https://movingpoems.com/2022/05/because-goddess-is-never-enough-by-rosie-garland/
Fringe Arts Bath Festival 27 May - 12 June 2022
Bath’s annual free festival of visual arts
'Because Goddess is Never Enough' – selected for WORDPLAY programme
https://www.fringeartsbath.co.uk/festival-2022
https://www.fringeartsbath.co.uk/wordplay
Tranås at the Fringe International Arts Festival 2-9 July in Tranås, Sweden
'Because Goddess is Never Enough' – selected for the LIVING FEMININITY programme.
https://www.atthefringe.org/film-program-2022
Women X Film Festival 2-4 September in Darlington, UK.
'Because Goddess is Never Enough' - Honourable Mention
https://riannepictures.com/womenx
Women Over 50 Film Festival
'Because Goddess is Never Enough' – nominated for Best Experimental film, selected for the AT MY CORE programme
https://wofff22.eventive.org/films/62e15892943cb70054a692d9
https://wofff.co.uk/2022/08/wofff22-films-announced-find-out-more-about-our-fantastic-official-selections/
Athens 10th International Video Poetry Festival 28 September - 1 October 2022
'Because Goddess is Never Enough' – screened 29th September within 'Feminist Struggles' programme
https://theinstitute.info/?p=5226
HOME Manchester, Filmed Up 28th September 2022
‘Because Goddess is Never Enough’ selected for Filmed Up programme.
https://homemcr.org/event/filmed-up-sep-2022/
The Feminist Film Festival, Bucharest, 13-16 October 2022
'Because Goddess is Never Enough' – Official Selection
https://filmfreeway.com/TheFeministFilmFestival
Sunderland Shorts Film Festival October 17th, 2022
'Because Goddess is Never Enough' – selected for the Art & Experimental Films programme
https://filmfreeway.com/SunderlandShorts
Zebra Poetry Film Festival, Berlin 3-6 November 2022
'Because Goddess is Never Enough'.
We are very proud to be selected for Zebra, the oldest and largest international festival of poetry films.
https://filmfreeway.com/ZEBRAPoetryFilmFestival
https://www.haus-fuer-poesie.org/en/zebra-poetry-film-festival/home-zebra-poetry-film-festival/
Still Voices Film Festival, Ireland 9-13 November 2022
'Because Goddess is Never Enough' – Official selection Experimental
https://stillvoicesfilmfestival.com/
It's 40 years since The March Violets released our 1st 7" EP (seriously, FORTY).
So it’s a great time to announce that this tasty 5 CD Box Set is now up for pre order from Jungle Records!
The Palace of Infinite Darkness - In addition to all the singles plus all the extended versions, the box has six excellent BBC sessions, 23 tracks with 9 unreleased songs (also reissued as Big Soul Kiss 2LP yellow vinyl after a sold-out RSD release). Then there are two whole discs of unreleased demo sessions – one from the early period 1982-84 and another from 1985-87. Founder-member Rosie Garland recounts the band’s story in a 44-page booklet.
Check out the link:
https://smarturl.it/MV5CDbox
A wonderful experience – for the first time, I co-tutored a residential writing week for the prestigious Arvon Foundation! It was such a thrill to work alongside inspiring co-tutor Keith Jarrett and electrifying guest reader Jay Bernard.
A very special week. I won’t forget it.
Monday June 27th - Saturday July 2nd 2022
Totleigh Barton, Sheepwash, Beaworthy Devon
https://www.arvon.org/writing-courses/courses-retreats/residential-writing-week-queer-poetry/
Thrilled and honoured to have my poem ‘Now that you are not-you’ featured in this groundbreaking new anthology!
‘Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more.
Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day.’
https://www.penguin.co.uk/books/445204/100-queer-poems-by-chan-edited-by-andrew-mcmillan-and-mary-jean/9781529115321
I’m honoured – my essay ‘Don’t Fence Me In’ is included in this wonderful collection! (Nine Arches Press, ed Ian Humphreys)
‘What motivates poets in the 21st century? How do they find their voice? What themes and subject matters inspire them? How do they cope with set-backs and deal with success? What keeps them writing?
In Why I Write Poetry twenty-five contemporary poets reflect with insight, wit and wisdom on the writing life, each offering their distinctive take on what inspires and spurs them on to write poetry. Also - individual writing prompts to help you create your own new poetry.’
https://ninearchespress.com/publications/poetry-collections/why-i-write-poetry.html