Displaying items by tag: rosie garland

The March Violets announce the first round of dates for the Made Glorious Tour in Oct / Nov!

These gigs are confirmed, more to be announced, so, diaries at the ready...

Ted Hughes Festival

Saturday October 26th

The Trades Club

Holme St Town Centre, Hebden Bridge HX7 8EE

Tickets on sale soon

Supports TBC

Tough Life Boogie - John Peel week, The Dark Side of Peel

Sunday October 27th

The Continental,

South Meadow Lane, Preston, Lancashire PR1 8JP

Tickets on sale soon

Special Guests: Flesh For Lulu, John Hyatt (Three Johns), The Inca Babies.

That is correct.

https://www.facebook.com/events/406821436094484/

DV8

Sunday 3rd November

The Coliseum

Victoria Place, Whitby, North Yorkshire YO21 1EZ

Tickets on sale soon

Special Guests Partly Faithful

RFTK Promotions Newcastle

Sunday 10th November

Trillians

Princess Square Newcastle upon Tyne NE1 8DE

Tickets on sale soon

Supports TBC

O2 Academy2 Islington

Friday 22nd November

N1 Centre 16 Parkfield St, Islington N1 0PS

Tickets on sale soon

Supports TBC

Brudenell Social Club

Saturday 23rd November

33 Queen's Rd Leeds LS6 1NY

Tickets on sale soon

Supports TBC

Published in News

A wonderful time was had by all the fundraising evening for the Young Oncology Unit at the Christie Hospital... I was honoured to be invited to be one of the speakers - in the company of inspiring (and entertaining) women like Val McDermid and Susan Calman. Not to mention the inspiring women on the committee who put so much passion into raising funds for this wonderful cause...

Honoured to be a part of it!

Published in News

I'm absolutely delighted to report that I have just won The Wirral Festival of Firsts Poetry Competition 2013, with my poem 'A Short History Of Unicorns'.

www.festivaloffirsts.com

The judge was Colin Watts, a poet I respect. I don't know about other writers out there – but when a poet whose work I admire likes my work, it means a huge amount. It's a great boost.

Thank you Wirral Festival of Firsts!

Read my winning poem here

Published in News
neo:studios

is an artist led, not-for-profit organisation, founded to aid the development of creative practitioners.

http://www.neoartists.co.uk/

Each month for the duration of 2013 neo:writers will be publishing and promoting the work of a different poet.

My new poem 'Eclipse' is featured for June 2013. Plus Scott Devon interviews me...

Read my new poem and the interview here

Published in News
Thanks to Eric Page at GScene Magazine for this great review!
GSCENE JUNE 2013
Book review: 'The Palace of Curiosities' - Eric Page

Cast out by Victorian society, eve and Abel find succour from an unlikely source. They soar to fame as The Lion Faced Girl and The Flayed Man, star performers in professor Josiah Arroner's Palace of Curiosities. Set in 1850s London, this is the story of Eve and Abel, both freaks of nature searching for escape. It tenderly explores what it's like to be different and traces their struggle for self-discovery on the boundaries of what is perceived as human.

Garland has produced a fascinating and delightful book. Like a cross between Philip Pullman and Angela Carter, she takes us on an evocative and wonderful journey, full of magical delights and stunning set pieces.

It's her debut novel and such an accomplished work. Her style is a joy. She made me gasp with the audacity of her ideas and smile with the lush beauty of her prose. Check her website for performance, poetry and written work. She's as interesting as the characters she creates!

Go and buy yourself a copy now, please – you'll love it!

www.gscene.com

Published in News
Sunday, 19 May 2013 09:12

19.5.2013 - New blog interviews!

Two new blog interviews / reviews about the launch of The Palace of Curiosities – and how long it's taken to get here.

First up: Tim Diggles - Legend – Rosie Garland (aka Rosie Lugosi)

‘What has always amazed me is that you have so many different aspects to your work. You write in your name Rosie Garland; you write and perform as your alter-ego Rosie Lugosi; you are the lead singer of The March Violets; you are a Goth icon; a legend in the world of burlesque; star of Woman’s Hour and women’s magazines; are there any other facets we don’t know about?’

Read the full interview here - click this link

Next up: Yatterings - More than a sideshow – Rosie Garland's The Palace of Curiosities.
  • 'An assured and magical novel. Her poetic output provides the writing's lyricism and her involvement in cabaret and Goth gives her an eye for the strange.'

Read the full interview here - click this link

Published in News

Blimey! I'm being used as the poster girl for next week's (sold out) Literary Death Match event The Hospital Club in Covent Garden.

This event is sold out but you can sign up for the waitlist - as tickets become available you will be contacted:

Waiting List

Here's the lineup of THE READERS

  • * Rosie Garland, the debut author of The Palace of Curiosities
  • * James Benmore, author of Dodger
  • * A.L. Kennedy, actor, writer, comedian
  • * Peter Rosengard, record-breaking life insurance salesman, founder of The Comedy Store

Literary Death Match London - link

Published in News

Nice review for my recent workshop for Manchester Literature Festival - Postcards from the Past.

  • Stories from the city, stories from the sea
  • Postcards From The Past Workshop, Saturday 11th May, 2-4.30pm, Stanley Suite, The Midland Hotel

Words by Desmond Bullen.

Long before the supposed modishness of flash fiction, prior to the chirpy burst of Twitter, wit at its briefest found its way inked onto the back of a postcard. Denuded of the envelope's discretion, its commonplaces and tidings were status updates on mass-produced cardboard. To come across one now, forgotten between the pages of a secondhand book, is to have the past blossom with the delicacy of a Polaroid before one's eyes.

The postcard is of a room. The room is in a hotel, the kind with a history; one whose inlaid angels have witnessed the relentless ebb and flow of guests and staff over years weary and gay, over decades heavy and light. The tales they could tell are on the tips of their tongues, but their tongues are still. The people in the room are not. They prowl and declaim, with varying degrees of self-consciousness, giving rise to an unintentional poetry, part Dada, part poetry.

And conducting this displaced cabaret is the quicksilver figure of Rosie Garland, a protean figure – neither poet nor mistress of ceremonies, neither March Violet nor author, but all, and more – now coaxing ink from pens in a workshop that is far more play than toil.

There is paper, too; the inevitable flipchart, the outpourings of the group in marker pen across it, like benign graffiti. And the pads and notebooks, their lines no longer flat, but beating with prose of which its authors might be cautiously proud. Each table has a soul or two brave enough to voice their new-found words to the room at large. Each has a postcard to send that's funny or thoughtful, angry or melancholy, flirtatious or droll.

Wish you were here? I was glad I was.

The Postcards From The Past competition, sponsored by The Midland Hotel, closes on 20 July.
Published in News

Dealing with the internal critic

Or

A 12-Step Programme for Coping with Mavis

I have a voice in my head. It never says anything nice. It undermines any attempt I make to write. Examples of the things it says are you're a fraud, you'll never amount to anything and who told you you could write, anyway? On and on and on, wittering ad nauseam.

Sound familiar? You're not alone. It seems like whenever I 'fess up to this internal censor, a common response from fellow-creatives is a stunned good god, you get that too?

Simply put, this inner censor wants me to stop writing. It's been there since I was in my early teens, and shows no sign of going away. Sure, it's had to change its script a little over the past few months what with the launch of my debut novel 'The Palace of Curiosities', but it has simply developed nasty new mantras. One example: when people say they like 'The Palace of Curiosities', they're only being nice.

I used to listen and believe every word I heard. Result? I stopped writing. For years. Call it writers' block if you will. An important part of my writing life has been improving how I deal with these internalised put-downs. I've shared some ideas below – if any of them help, that's great.

1 - First off, I worked out when the voice first appeared. 'Forever' was not an acceptable answer. Speaking personally, my earliest creative efforts were encouraged. However, that changed in my teens when I started to explore the weird, the odd, the different, the opposite of sugar and spice. Suddenly (and it was sudden) the support and praise evaporated. Ta-dah! My internal censor was born at the precise moment in my life when I was developing into an independent person, and it grew fat on raging hormones and adolescent angst.

2 – We are born free of internal censorship – it comes later. My ability to write and my love of writing were both there before the censor. It helped to separate that out.

3 – Another key was to recognise it was a voice in my head, but not 'my' voice. I can separate my self from the put-downs. Who first planted doubts in your head? You sure as hell didn't.

4 - Part of the externalising process was to create a character and give it a name. I call my internal censor Mavis, because it's silly and helps diminish the yap-yap-yap. She is not a huge terrifying demon; she's small and she's squeaky. It's much harder to take such a creature seriously.

5 – She makes herself pretty easy to spot, as her script lacks originality. She trots out the same old tune, the same old words. I recognise Mavis on one of her rants, rather than believing that what she says is true. It isn't.

6 – However, I don't try to ignore her: she just shouts louder. I acknowledge she's there, say hello Mavis; listen to what she has to say, then I get on with whatever it was I was doing. My suggestion? Hear it, note it, move on.

7 - Develop your own practical strategies. One of mine is writing early in the day. Mavis isn't a morning person. I get up before she does, while she's still snoozing. Once I've started and am on a roll it's not so difficult: the blank page is when she's at her most undermining.

8 - I write longhand when I'm starting out, whether it's a novel or a poem. There are many reasons why I do this (and they're the subject of a different blog). As a strategy for getting round Mavis it works like this: to the censor, handwriting is 'scribbling', ie not serious or important. She stops paying attention - and I get to explore ideas without her peering over my shoulder and sneering 'well, that's not very good is it?' If she does start snooping around I say I'm just scribbling. Nothing for you to bother about. I work under the radar and sneak my words past her – rough, unedited words – but words. I can't edit nothing, which is what she's aiming for.

9 – Don't try to reason or argue with the censor. You'll use up all your creative energy and never, ever win. There's no point trying to reason with the unreasonable. My censor says things which logically I know aren't true. But oh boy, does my fearful emotional jelly of a self wobble. That's her power. If I try to engage logic, I end up going in circles. She always has an argument to top mine. She always gets the last word. She's always got a 'yeah, but - '. These arguments leach away time and energy when I could be writing.

10 - Speak out. Say she exists. Stop being ashamed. Stop believing her.

11 - Talk to other creative people. Find out what their internal censors act like. Share strategies for coping.

12 - For years I tried to repress her, ignore her, make her go away. It didn't work. I've accepted I'll never be rid of her. And maybe, just maybe, there's a positive side to all of this head-talk. It keeps me on my toes. With Mavis around I won't become one of those writers who think that every word they commit to paper is perfect and woe betide any foolish mortal who dares suggest they might need to edit the hell out of it.

And if I do become big-headed, blasé or swan around saying do you know who I am? – tell me. Loud and clear.

Published in News
Thursday, 04 October 2012 08:45

Creatures of the Night

 OUT OF PRINT
Creatures of the Night - performance poetry

Published by purpleprosepress, 2003 under Rosie Garland's stage name of Rosie Lugosi.

Published as part of Rosie's residency at 'Creatures of the Night' at greenroom Manchester, Manchester's longest running poetry slam.
Including poems such as 'Two Queens', published in Mslexia magazine.

 

 

Excerpt…

“Two Queens

I’d arranged the Palace Hotel bar, at seven. Figured
The cavernous hall, high gilded ceiling would suit
World-changers. They were already there;
Had ordered beer in straight glasses. I knew them at once:

Her, from the bas-reliefs in the Met; and her,
From technicolour gloss in A level History.
“You both look fatter,” I said, “than the pictures.”
“There’s court portraitists for you,” boomed Nefertiti,

Halfway through her pint. Patted a teak-stained
Roll of fat which hung about her navel. “Likewise:
When did you last see a royal virgin painted fat?”
Blared Elizabeth, and thumped me on the back…”

Published in Poetry

News and Events

  • 'Because goddess is never enough' - a new film-poem!
    'Because goddess is never enough' - a new film-poem!
    ‘Because goddess is never enough’ – revealing the new film poem, made in collaboration with filmmaker Jane Glennie.

    Absolutely thrilled to announce this new film poem – created over 2021 in collaboration with amazing filmaker Jane Glennie. Inspired by the life of dancer and choreographer Tilly Losch, the film explores notions of erasure, strategies for persistence and the centrality of creative expression for the life of a woman in perpetual motion.

    We are delighted with the reception the film is receiving! A list of film festivals is below.
    AND there’s a ‘Book of the Film’!

    'Because Goddess is Never Enough (Peculiarity Press, 2022)
    Available from Blackwell’s (Waterstones, Amazon, etc)
    https://blackwells.co.uk/bookshop/product/Because-Goddess-Is-Never-Enough-by-Rosie-Garland-Jane-Glennie/9781912384167

    Flick through the book here –
    https://photos.app.goo.gl/zzDN5KKbUccqPZsQ7

    Film festivals & events 2022 that have selected & featured 'Because Goddess is Never Enough'

    Moving Poems May 2022
    'Because Goddess is Never Enough' – selected as one of ‘the best poetry films on the web’
    https://movingpoems.com/2022/05/because-goddess-is-never-enough-by-rosie-garland/

    Fringe Arts Bath Festival 27 May - 12 June 2022
    Bath’s annual free festival of visual arts
    'Because Goddess is Never Enough' – selected for WORDPLAY programme
    https://www.fringeartsbath.co.uk/festival-2022
    https://www.fringeartsbath.co.uk/wordplay

    Tranås at the Fringe International Arts Festival 2-9 July in Tranås, Sweden
    'Because Goddess is Never Enough' – selected for the LIVING FEMININITY programme.
    https://www.atthefringe.org/film-program-2022

    Women X Film Festival 2-4 September in Darlington, UK.
    'Because Goddess is Never Enough' - Honourable Mention
    https://riannepictures.com/womenx

    Women Over 50 Film Festival
    'Because Goddess is Never Enough' – nominated for Best Experimental film, selected for the AT MY CORE programme
    https://wofff22.eventive.org/films/62e15892943cb70054a692d9
    https://wofff.co.uk/2022/08/wofff22-films-announced-find-out-more-about-our-fantastic-official-selections/

    Athens 10th International Video Poetry Festival 28 September - 1 October 2022
    'Because Goddess is Never Enough' – screened 29th September within 'Feminist Struggles' programme
    https://theinstitute.info/?p=5226

    HOME Manchester, Filmed Up 28th September 2022
    ‘Because Goddess is Never Enough’ selected for Filmed Up programme.

    https://homemcr.org/event/filmed-up-sep-2022/

    The Feminist Film Festival, Bucharest, 13-16 October 2022
    'Because Goddess is Never Enough' – Official Selection
    https://filmfreeway.com/TheFeministFilmFestival

    Sunderland Shorts Film Festival October 17th, 2022
    'Because Goddess is Never Enough' – selected for the Art & Experimental Films programme
    https://filmfreeway.com/SunderlandShorts

    Zebra Poetry Film Festival, Berlin 3-6 November 2022
    'Because Goddess is Never Enough'.
    We are very proud to be selected for Zebra, the oldest and largest international festival of poetry films.
    https://filmfreeway.com/ZEBRAPoetryFilmFestival
    https://www.haus-fuer-poesie.org/en/zebra-poetry-film-festival/home-zebra-poetry-film-festival/

    Still Voices Film Festival, Ireland 9-13 November 2022
    'Because Goddess is Never Enough' – Official selection Experimental
    https://stillvoicesfilmfestival.com/

    Written on Thursday, 29 September 2022 09:41
  • Sept 2022 - The March Violets announce 5 CD boxset release!
    Sept 2022 - The March Violets announce 5 CD boxset release!
    Announcing the Novemeber 18th 2022 release of 'The Palace of Infinite Darkness'

    It's 40 years since The March Violets released our 1st 7" EP (seriously, FORTY).
    So it’s a great time to announce that this tasty 5 CD Box Set is now up for pre order from Jungle Records!
    The Palace of Infinite Darkness - In addition to all the singles plus all the extended versions, the box has six excellent BBC sessions, 23 tracks with 9 unreleased songs (also reissued as Big Soul Kiss 2LP yellow vinyl after a sold-out RSD release). Then there are two whole discs of unreleased demo sessions – one from the early period 1982-84 and another from 1985-87. Founder-member Rosie Garland recounts the band’s story in a 44-page booklet.
    Check out the link:
    https://smarturl.it/MV5CDbox

    Written on Thursday, 22 September 2022 12:19
  • June 2022 - Queer Poetry for The Arvon Foundation
    June 2022 - Queer Poetry for The Arvon Foundation
    Residential Writing Week: Queer Poetry

    A wonderful experience – for the first time, I co-tutored a residential writing week for the prestigious Arvon Foundation! It was such a thrill to work alongside inspiring co-tutor Keith Jarrett and electrifying guest reader Jay Bernard.
    A very special week. I won’t forget it.

    Monday June 27th - Saturday July 2nd 2022
    Totleigh Barton, Sheepwash, Beaworthy Devon
    https://www.arvon.org/writing-courses/courses-retreats/residential-writing-week-queer-poetry/

    Written on Wednesday, 21 September 2022 15:16
  • June 2022 - 100 Queer Poems anthology
    June 2022 - 100 Queer Poems anthology

    Thrilled and honoured to have my poem ‘Now that you are not-you’ featured in this groundbreaking new anthology!

    ‘Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more.

    Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day.’

    https://www.penguin.co.uk/books/445204/100-queer-poems-by-chan-edited-by-andrew-mcmillan-and-mary-jean/9781529115321

    Written on Wednesday, 21 September 2022 15:14
  • Jan 2022 - 'Why I Write Poetry' (Nine Arches Press)
    Jan 2022 - 'Why I Write Poetry' (Nine Arches Press)
    ‘Why I Write Poetry’

    I’m honoured – my essay ‘Don’t Fence Me In’ is included in this wonderful collection! (Nine Arches Press, ed Ian Humphreys)

    ‘What motivates poets in the 21st century? How do they find their voice? What themes and subject matters inspire them? How do they cope with set-backs and deal with success? What keeps them writing?

    In Why I Write Poetry twenty-five contemporary poets reflect with insight, wit and wisdom on the writing life, each offering their distinctive take on what inspires and spurs them on to write poetry. Also - individual writing prompts to help you create your own new poetry.’

    https://ninearchespress.com/publications/poetry-collections/why-i-write-poetry.html

    Written on Sunday, 23 January 2022 10:00