Displaying items by tag: rosie garland - Rosie Garland
Thursday, 04 October 2012 08:45

Creatures of the Night

 OUT OF PRINT
Creatures of the Night - performance poetry

Published by purpleprosepress, 2003 under Rosie Garland's stage name of Rosie Lugosi.

Published as part of Rosie's residency at 'Creatures of the Night' at greenroom Manchester, Manchester's longest running poetry slam.
Including poems such as 'Two Queens', published in Mslexia magazine.

 

 

Excerpt…

“Two Queens

I’d arranged the Palace Hotel bar, at seven. Figured
The cavernous hall, high gilded ceiling would suit
World-changers. They were already there;
Had ordered beer in straight glasses. I knew them at once:

Her, from the bas-reliefs in the Met; and her,
From technicolour gloss in A level History.
“You both look fatter,” I said, “than the pictures.”
“There’s court portraitists for you,” boomed Nefertiti,

Halfway through her pint. Patted a teak-stained
Roll of fat which hung about her navel. “Likewise:
When did you last see a royal virgin painted fat?”
Blared Elizabeth, and thumped me on the back…”

Published in Poetry
Thursday, 27 September 2012 15:06

Vixen

Rosie Garland's extraordinary tale is a story of superstition and devotion in the time of the Black Death and will bewitch both new readers and fans of her much-loved debut, The Palace of Curiosities. It was nominated for the Green Carnation Prize, 2014.

'Vixen' is a fine example of how to marry a stunning cover to a book's contents. The cover features original artwork by Lindsay Carr http://www.littlerobot.org.uk/ and was designed by Alexandra Allden at Borough Press.

About the novel - Vixen

Devon, 1349. In Brauntone, where seagulls screech across the fields and the wind has a mind to change, Father Thomas arrives as the new priest. Determined to impress his congregation, he quells fears of the coming pestilence with promises of protection.
For Anne, the priest's arrival is an opportunity that at sixteen, she feels all too ready for. Convinced a grand fate awaits, she moves in as Thomas's housekeeper, though hopeful of something more. But his home is a place without love or kindness. So when a strange, mute Maid is discovered, washed up in the marshes, and taken in, Anne is grateful for the company. Their friendship is to give Anne the chance of a happiness she thought she'd never know.
But soon the plague strikes Brauntone, spreading panic. And as the villagers' fear turns to anger, Thomas must sacrifice anything to restore their faith in him.


Reviews

A great review in Diva magazine (August 2014)
"Poetic, surprising and ultimately deeply moving, Vixen will have you hooked faster than it takes to drink a jug of ale and - unlike ale - it will stay with you long after you've reached the final page."

Praise for The Palace of Curiosities:
'Garland's lush prose is always a pleasure' - The Guardian
'An alternately brutal and beautiful story about love and belonging in a vividly conveyed underworld, rich in carny phantasmagoria and lyrical romance' METRO
'Bewitching' Good Housekeeping
'A jewel-box of a novel ... Garland is a real literary talent: definitely an author to watch' Sarah Waters
'Reminds me of Angela Carter' Jenni Murray
"Fabulously strange historical debut... a romp filled with sheer, demented fun." Suzi Feay

Link to order Vixen -
https://www.harpercollins.co.uk/9780007492800/vixen

Published in Fiction
Thursday, 27 September 2012 10:14

Coming Out at Night

Coming Out At Night - performance poetry


Published by purpleprosepress, 2005 under Rosie Garland's stage name of Rosie Lugosi

Poem excerpt –

“Lights Go Out

The lights go out; there's a rustle of silk at the corner of earshot
The dark swims in, and ink closes over your head
Back row or back room my hand finds yours
Pulls you cheek to cheek, lip to lip
Go down for the third time and come up choking
And down again with my hand on your head.
The lights go out.
You said you wanted this
Screamed and bawled till mommy said
Come and tuck your little head in here
And I will stroke you, stroke you, stroke you
Matthew, Mark, Luke and John have left the bed that you lie on
As you lay you down to sleep
Pass your soul to me to keep
I'll lock it in a box and prick it with a pin
And you will never see morning again.
The lights go out...”

Five star reviews on Amazon

“A delightfully eccentric and funny collection… I found the book to be like a favourite record or cd that you will return to time and time again.”

“Coming out at night is the latest collection of poetry by the ever charismatic Rosie Lugosi… pure comic genius”

“Witty, entertaining, thought provoking, funny, sad and spooky all in one delicious package. I liked it so much, I had the cover picture tattooed on my thigh. No, really.”

Published in Poetry

News and Events

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    I’m thrilled to announce that Val McDermid has selected me as one of the 10 most compelling LGBTQI+ writers working in the UK today!

    Val said: “These writers are writing for everyone. These are not words for a niche readership. These are not writings for a ghetto. These are the works of writers who have something to say that can be – and should be – heard by as many people as possible.”

    She continued: “Auden was wrong when he claimed “poetry makes nothing happen”. Words do change the world, reader by reader. They open our eyes, they provoke thought. The work of these 10 writers… will awaken in us fresh delight in the wonder of words.”

    The list was commissioned by the National Centre for Writing and British Council, supported by Arts Council England as part of a two-year programme to promote writing from the UK to an international audience. It also includes the amazing Colette Bryce, Juno Dawson, Juliet Jacques, Keith Jarrett, Kirsty Logan, Andrew McMillan, Fiona Mozley, Mary Paulson-Ellis & Luke Turner.

    The Guardian - The Word Is Out. Val McDermid selects Britain's 10 most outstanding lgbtq writers

    Written on Wednesday, 14 August 2019 08:44
  • 20.6.2019 - Peterloo: massacre or riot? The John Rylands Library
    20.6.2019 - Peterloo: massacre or riot? The John Rylands Library
    Peterloo – massacre or riot?

    On June 20th 2019, The John Rylands Library staged a live performance event to mark the bicentenary of the Peterloo Massacre. It was a first for the library and I was excited to take the part of Jemima Bamford – one of the thousands of men, women and children who gathered at St Peter’s Field in August 1819. I donned bonnet and shawl and created a speech, imagining how she might have spoken out against the actions of the militia, who charged into an unarmed crowd, and murdered up to 23 people.

    Then joined by 5 other actors, I took part in a public debate as we decide: was Peterloo a massacre or a riot? At the end of the debate, votes were cast, and Manchester decided overwhelmingly – massacre.

    Written on Sunday, 21 July 2019 10:32
  • 8.6.2019 - Guest vox with The Bellwether Syndicate, Wave-Gotik Treffen
    8.6.2019 - Guest vox with The Bellwether Syndicate, Wave-Gotik Treffen
    Guest vox with The Bellwether Syndicate at Wave-Gotik Treffen

    The high point of WGT 2019 was being invited to be guest vocalist with The Bellwether Syndicate from Chicago! Rocking out to a special rendition of The March Violets track ‘Snake Dance’…
    The gig on Saturday 8th June 2019 at Taubchenthal, Leipzig was packed out – and what a crowd…

    A great pleasure to work with William Faith, Sarah Rose (aka Scary Lady Sarah), keyboards Phil Destefano, bassist Paul Sin & drummer extraordinaire Stevyn Grey

    https://www.wave-gotik-treffen.de/ro/go4it.php?id=197&loc=en

    Written on Sunday, 21 July 2019 10:20
  • 'How to ask for a residency' - The John Rylands blog
    'How to ask for a residency' - The John Rylands blog
    How to ask for a residency

    Since I wrote about the Power of Asking, I’ve been heartened by how many writers have told me they’re going to ask for Writers’ Residencies too. There are plenty of questions: What do you say? What do you ask for? This blog offers a few suggestions.

    Where do you want your residency to be?
    Chip shop, bus stop, lighthouse, theatre, cemetery. The choice is yours. Think of where you’d love to write. It may be a place you pass every day on the way to work, or somewhere you’ve stumbled on by chance. Perhaps you have a connection already. For example, when I was invited to read at The John Rylands Library, I fell in love with this Mancunian gem. It sparked a train of thought…

    What do you want to do?
    I’ve a pretty simple plan: my next novel is set in The John Rylands and I’m exploring what it’s like to write ‘on site’, drawing inspiration from the spirit of the place. You’ll have your own ideas. It’s a wonderful opportunity to try something new, with time to focus on your writing in an inspiring workspace. The clearer you are about what you’d like to create and how it’s connected to the venue you’ve chosen, the better. Do your research, and put together a proposal. I’ve broken this down below.

    How long is a residency?
    Weeks, months, or a year – it’s largely up to you and the organisation. My residency is running for a calendar year; time to produce a first draft of the novel. I’ve committed to being on site for one day a week, but can’t keep away from the place…

    What can you offer?
    As well as being clear about what you want to achieve, think about what you can offer your host organisation. Ideas can include giving talks, workshops, writing tutorials or readings, and writing blogs on the progress of the residency. You might produce a poem etched in the window, or devise a grand finale performance. There’s no limit.
    If you’re unsure, ask for advice from writer friends (or friends of friends) who’ve done residencies in the past. If you don’t know any – ask the internet. Social media can be a lot more supportive than you might imagine.

    How do you get an introduction?
    You’ll need to approach your chosen organisation to find out of they’re interested in your idea. I asked writer friends for signposting, and got an introduction. People were only too pleased to help, a warm reminder that we’re in this together. There’s a community of writers out there, and we are pretty groovy people.

    What about money?
    This blog is about building your own residency from scratch, not applying for a funded opportunity. So, when the question of money and payment arose (pretty much the first question), I said no. Nowhere has money for residencies, unless it’s a regular gig like The Forestry Commission
    And, unsurprisingly, these residencies are massively oversubscribed.
    A personal tip is to source funding elsewhere. I applied to The Arts Council - Successfully.

    Then again – aim for the stars! One writer told me she’s asking for a residency at a private members’ club with buckets of money. Needless to say, she IS asking them to fund it.

    What’s the worst that can happen?
    Fear of the word no can stop us asking in the first place. Your chosen venue may say no. But they’re not going to poke you with forks. Trust me on this one. And in the words of Steve Jobs: “Most people don't get experiences because they never ask. I've never found anybody who didn't want to help me when I've asked them for help.”

    Keep going. Keep asking.

    https://rylandscollections.wordpress.com/2019/02/26/how-to-ask-for-a-residency/

    Written on Sunday, 24 March 2019 10:08
  • 'The Power of Asking' blog - The John Rylands Library
    'The Power of Asking' blog - The John Rylands Library

    As part of my Writer’s Residency at The John Rylands Library, I’m writing a series of blogs… here’s the first – The Power of Asking.

    “I’ve just been appointed the first writer-in-residence at The John Rylands Library. How did I manage this wonderful achievement? I asked.

    Sounds easy.

    It wasn’t. If you’re anything like me (and the longer I live, the more I realise I’m not alone), asking is far more difficult than it sounds.

    Let’s start at the very beginning, a very good place to start. Unless you were born with a set of silver spoons in your mouth (which is everyone reading this, right?), then you’ve worked out that opportunities don’t fall magically into your lap. You’ve had to work hard to get where you are.

    I like what Julia Cameron (author of the inspirational ‘The Artists Way’) says: “Pray to catch the bus, then run as fast as you can.” It’s a reminder to put myself into the path of opportunities. The bus does not come to the front door. I have to leave the house, and darn well run for it.

    I have to take a deep breath, and ask. So, why is it so difficult?

    Here’s my take. I grew up with a spectacularly unhelpful dictum: Ask, don’t get. Don’t ask, don’t want. I shared this with friends recently, and was shocked to discover it’s very common. I end up stuck in a bizarre Catch 22 situation, thinking that if I have to ask for something, then I don’t deserve it. Or, that I must to wait for someone else to ask me. The most I’m allowed to do is stand around looking hopeful.
    This lose-lose mentality is combined with a vicious internal critic. I call her Mavis (I’ve blogged about her here and run Anti-Mavis workshops). She never, ever says anything nice. If someone says they like my writing, Mavis jumps in and whispers ‘they’re only being nice.’ In fact, she can be neatly summed up by this great Savage Chickens cartoon (Doug Savage):

    Naturally, my internal critic undermined any notion that somewhere as amazing as The John Rylands Library would want the likes of me.

    So – standing up and asking for what I want can be pretty damn hard. I’m swamped with fears of rejection, coming over as needy, an underachiever, someone who’s failed because they need to ask.

    Luckily, this isn’t a poor-me blog.

    Years ago I decided that I was not going to let fear of rejection stop me living a life that is too darn short as it is. I take inspiration from Jia Jiang, whose TED talk about dealing with rejection is well worth 15 minutes of anyone’s time.

    So, however hard it is to ask, to put myself forward, to send that manuscript to a competition or agent – I take several deep breaths and do it. In the words of Susan Jeffers: ‘feel the fear and do it anyway’.

    And here’s the good news. The John Rylands Library is delighted to have a writer-in-residence. Correction: The John Rylands Library is delighted to have me as a writer-in-residence.

    I have told Mavis to put that in her pipe and smoke it.

    Coming next – what I asked for, and how to ask for a residency.”

    https://rylandscollections.wordpress.com/2018/12/10/the-power-of-asking/

    Written on Saturday, 02 March 2019 15:36