Displaying items by tag: harpercollins

Diva magazine has given 'Vixen' a great review!

'A compelling story about love and devotion set against the backdrop of superstition, pestilence and hardship that dominate the muddy 14th century landscape. Poetic, surprising and ultimately deeply moving, Vixen will have you hooked faster than it takes to drink a jug of ale and – unlike ale – it will stay with you long after you've reached the final page.'

Diva august 2014

Published in News
Friday, 01 August 2014 09:56

17.7.2014 - VIXEN HARDBACK LAUNCH

My second novel, Vixen, launches today – 17th July 2014!

It has already featured as Grazia magazine's Best Historical fiction pick for summer 2014. Plus, this wonderful review is in the August 2014 issue of Diva magazine.

'A compelling story about love and devotion set against the backdrop of superstition, pestilence and hardship that dominate the muddy 14th century landscape. Poetic, surprising and ultimately deeply moving, Vixen will have you hooked faster than it takes to drink a jug of ale and – unlike ale – it will stay with you long after you've reached the final page.'

 

Published in News
Authors Writing on Books
The Palace of Curiosities – reviewed by Max Scratchmann

Much as I want to like all of these books, there are, I'm afraid, a lot of fairly dull bodice-rippers and penny-dreadfuls lurking beneath the stunning cover art on the slew of mock-Victorian novels currently on the market, so it was with great joy that I discovered Rosie Garland's noir tale of life in a nineteenth-century freak show – The Palace of Curiosities.

Enticed by the gothic delicacy of cover art and then seduced by the Angela Carter comparison from Jenny Murray on the flyleaf, I delved into this novel with a mixture of anticipation and cautious scepticism – treating the alluring enticements to enter as nothing more than the world-weary siren call of an over zealous marketing man. But, miraculously, I was not disappointed this time, and though the wonderful Ms Garland, in fact, bears little resemblance to Angela Carter – she's far too original a voice to be a copy of anybody – The Palace of Curiosities is a dark and evocative exploration of the underbelly of Victorian society and a magic-realist journey through the fair grounds and freak shows that so fascinate this reviewer as a visual artist.

The novel follows the converging path of two outsiders, Eve the Lion Girl and Abel the Flayed Man – also known as Mr Lazarus – and takes us on an atmospheric journey that veers in and out of the (believable) supernatural and even manages a happy ending without ever once delving into sentimentality or sugary cliché. The writing is rich and verging on the poetic, and the characters are well-rounded and believable – Eve's story being particularly strong with a heady erotic undercurrent running throughout.

I very seldom resort to overblown kill-to-obtain-this-book soundbites, but this novel is a definite must-read. Highly recommended.

Max Scratchmann

Book: THE PALACE OF CURIOSITIES

Author: Rosie Garland

Publisher: HarperCollins

Click to go to Steve Savage's review site

Published in News
Monday, 24 March 2014 16:46

24.3.1014 - #mywritingprocess Blog Tour

#mywritingprocess – Blog Tour

I was asked to participate in this blog tour by wonderful wordsmith Steph Pike

Its purpose is to share current activities, link writers to their wider community and to spend a little time considering our latest projects - which could be either to tantalize readers or to give me the opportunity to chew over what exactly I'm doing. Either way, we get four questions to structure the post around:

1) What am I working on?

I grew up thinking there was something wrong with me, not helped by being surrounded by folk who encouraged that belief. There were many reasons, but here's the relevant one: I've always worked on more than one creative project at a time. Singing, poetry, fiction, painting my hall with a frieze of Egyptian goddesses... Do I bore easily? Am I a creativity junkie? Answers on a postcard.

After worrying myself stupid that it's 'wrong' to be like this, I've accepted it's how I am (and naysayers can bugger off). Poetry nourishes fiction, fiction nurtures song writing, and all of it feeds the soul. Plus, if I was only working on one thing, it'd be easy to, well, do nothing...

Right now I'm writing poetry using prompts from Jo Bell's inspirational 52 blog

  I'm gearing up for The March Violets tour dates in UK / Europe / USA.

I'm also doing the final edits for my second novel, Vixen, which is out June 17th. I'm lurching from fear (that it's absolute rubbish) to excitement (It's finished! I've really done it!).

Click to visit HarperCollins 'Vixen' page

2) How does my work differ from others of its genre?

I don't know if it does differ, or if it needs to. What is different, anyway?

Philosophical meanderings aside, one of the 'rules' I picked up in novel-writing workshops was never to use first person when writing weird or unusual characters, because the reader won't be able to identify with them.

But I'm fed up with marginalized voices being further marginalized via the semantic distancing of third-person. So, in my debut novel 'The Palace of Curiosities', I created Eve, a woman completely covered in hair. I was determined she should speak for herself rather than have her story filtered through 'normal' eyes. One of the most striking features of the wonderful feedback I've received is how much readers have identified with Eve. Rules are there to be bent into the shape we desire.

3) Why do I write what I do?

My mother used to ask, 'why can't you write nice stories?'

I don't explore dark themes as some kind of pose, or to be difficult, or challenging for the sake of it. I write what I write because that's what comes knocking. I write what interests me about the world.

Sure, I can produce something that doesn't fire me up (I've tried), but my heart's not in it. There's the rub: I write where my passions reside. I've chased myself in circles trying to second-guess what a publisher 'might' want and it was a disaster. There's no point twisting yourself into shapes trying to please. That way lies madness, and not the interesting, creative sort. Maybe it's one of the reasons it took me so long for my novels to get published. But that's a different blog

4) How does your writing process work?

I am inspired and moved by the wealth of creative strategies we use to get ourselves writing. I reckon there are as many processes as there are writers. I don't think it matters one iota whether you're a morning / afternoon / nocturnal writer, whether you prefer a pencil, an iPad or grind your own ink from freshly-roasted acorns. It's more important to find the process that works for you. Then use it.

Let's face it, every day I'm plagued with a million reasons to avoid writing - shopping, housework, TV, social networking, let alone my inner critic screaming how useless I am. Click to read my 'dealing with the inner critic' blog

If I have a routine it's easier to get the hell over myself and write. My writing process gives me an anchor, a lifebelt to hang onto and weather those storms.

Next week the blog tour adventure features three wonderful writers – Susan Elliott Wright, Cathy Bryant and Anne Caldwell.

Susan Elliot Wright is a London-born novelist who now lives in Sheffield, where she teaches creative writing and tries hard to take her own advice. Click for Susan's website / Click for Susan's blog

Cathy Bryant's poems and short stories have been published on five continents (just Antarctica holding out), and she is a former blogger for the Huffington Post. She has won nine literary awards including the Bulwer-Lytton Fiction Prize, and co-edited the anthologies Best of Manchester Poets vols. 1, 2 and 3. Her second poetry collection, Look at All the Women, will be launched later in 2014. See more at Cathy's website

Anne Caldwell is a poet and literature consultant. She works for NAWE, The University of Bolton, The Open University and runs workshops in schools and community settings. Contact Tel. 07818 052108 email This email address is being protected from spambots. You need JavaScript enabled to view it. Her latest collection is Talking with the Dead, Cinnamon Press 2011.

Click to visit Anne's website

Published in News

Suzi Feay has given 'The Palace of Curiosities' an amazing review on the Emerald Steet blog!

WOMEN YOU SHOULD KNOW ABOUT

Two events make this weekend a goodie: International Women's Day and the launch of the inaugural Folio Prize Fiction Festival. There are events celebrating both occasions all weekend but tomorrow, the two overlap at On Reading Women, a discussion on literary heroines with authors Tessa Hadley and Frances Wilson, and literary critic Suzi Feay. There are still tickets left. Can't make it? Don't worry; Suzi has shared her favourite up-and-coming female fiction writers with us...

THE PALACE OF CURIOSITIES

BY ROSIE GARLAND (HARPERCOLLINS, £14.99)

"In this fabulously strange historical debut, a hair-covered young girl with the face of a lioness runs off to join a Victorian freak show and falls in love with a man who cuts himself. Throw in a super-creepy villain and you have a romp filled with sheer, demented fun."

Click here to go to Emerald Street site

Published in News
Sunday, 23 February 2014 11:03

21.2.2014 - Cover of 'Vixen' unveiled!

My second novel, 'Vixen', is not out till 19th June 2014...

but the cover has just been released!

Beautiful design by Alex Allden at HarperCollins, from an amazing image created by artist Lindsey Carr.

Click to go to Lindsey Carr's website

Colour me excited.

Published in News
Someone out there loves your work. Maybe they just haven't seen it yet.

Here's my blog on Women Writers, Women Books. Get submitting. Then the person who loves your work might actually get to see it.

Click for Books By Women website

This month, three judges decide the winner of the 2nd Mslexia Unpublished Novel Competition. Someone is about to receive a life-changing phone call. Two years ago, I was that woman.

I never imagined I would be. Fairytales are for other folk. I'd lost faith in my writing 'getting anywhere': indeed, I'd lost faith in my ability to write. But my winning novel, The Palace of Curiosities, was published in March 2013 by HarperCollins UK, one of the world's largest publishing companies. It's still a shock.

Like many writers, I've been writing for as long as I remember (I have a cough-sweet tin filled with miniature books I wrote for my dolls). By the end of the 90s I'd had poetry and short stories published, and I'd built up a following on the performance poetry circuit. I got an idea for a novel and was buoyed up by a run of early success: commendations in two fiction competitions and interest from a small publisher.

The crowning event of 2000 was a letter from a major London literary agency. They'd seen my competition entry, were impressed, and wanted to represent me. I danced around the room! I showed them my first novel, expecting wild enthusiasm. The agent advised waiting for a mainstream deal, so I turned down the small press. Naively, I waited for lucrative deals to come flying in. They didn't.

Over the next twelve years, I wrote four-and-a-half novels. Not one was 'good enough', however hard I tried – and I tried very hard. Then I was passed to a different agent who regaled me with stories of the terrible state of the publishing industry. No-one showed interest in what I was writing.

I stopped telling friends about my novels, humiliated by rejection after rejection. I regretted turning down the small publisher. It was a tough job to keep going during those long, slow, arid years. Then I got throat cancer and everything stopped while I put my life-energy into recovery. But there's nothing like a peek at your sell-by date to give you a boot up the backside. So, after I got the all-clear I emailed my agent and said, Let's Do This Thing. He didn't even reply.

His final rejection was my lowest point. I needed to move on. I could not continue putting my life into something that was giving me no nourishment. I didn't regret those twelve years, because no writing is ever wasted. But it was time to stop banging my head against a brick wall.

In 2011 Mslexia announced their Inaugural Novel Competition. As a last-ditch-last-fling, I dusted off novels #3 and #4 and sent them in, figuring I had nothing to lose except the entry fee. Both made the shortlist of ten. I was astounded: perhaps I could write fiction, after all. And one of the judges was Sarah Waters. A writing heroine. Liked. My. Work.

Novel #4, 'The Palace of Curiosities' won outright. Within a week I had an enthusiastic new agent. Within a fortnight she sent it to fifteen UK publishers and I was at the heart of a bidding war. The result was a 2-book deal with HarperCollins UK. It was bizarre – the same words in the same order, yet a year before I couldn't get it through the door of one publisher, let alone fifteen. I spent a long time pinching myself.

To say winning the Mslexia Novel Competition boosted my confidence is a vast understatement. I've proved to myself that I can write fiction: it was just a case of finding the right people to read it. The competition was judged anonymously and that makes me particularly proud. I am not This Year's Bright Young Thing, have not attended a fashionable Creative Writing Masters program, nor do I have industry connections. I won because of the quality of the writing.

It was the best £25 I spent in my entire life. I strongly encourage writers to enter as many competitions as possible. Someone out there loves your work – but they need to see it. So get it out there. Do it now.

Yes, I still have crises of self-doubt. But I've discovered a sense of validation, a punching-the-air 'I did it!' The win - and the resulting two-book deal – have given financial choices I never thought to have. I've given up my day job to focus full-time on writing. I've received writing commissions, invitations to lecture on University courses, been nominated for and won awards, toured book festivals...

I still subscribe to Mslexia. I still get up every morning and write. I take nothing for granted. I'm not a rest-on-my-laurels gal. I've built resilience, learned humility and discovered the extent of my determination to keep going in the face of rejection and failure. And I have regained a belief in my writing.

Published in News
I had a wonderful experience as guest reader at The Arvon Foundation!

Lumb Bank in Heptonstall is a magical place – I've attended writing retreats there in the past, so it was a great honour to be invited to be guest reader.

Lemn Sissay and Hannah Pool are amazing tutors: truly inspiring. They made me feel very welcome. Thanks to the Centre Directors, Lemn and Hannah - and of course all the course participants for making it such a memorable evening!

Published in News
Monday, 30 September 2013 14:53

26.9.2013 - TPOC: PAPERBACK AVAILABLE NOW!

The Palace of Curiosities is now available in paperback!

Order it direct from HarperCollins here:

Click this link to order

Described as 'Bewitching' by Good Housekeeping.

'A jewel-box of a novel' - Sarah Waters.

Published in News
Wednesday, 27 February 2013 15:40

Is that me she's talking about?

Great quotes and what they mean...

I've recently received some feedback from Sarah Waters about my upcoming novel 'The Palace of Curiosities'. Reading it is a bizarre sensation: disbelief mixed with tingling excitement. It's a good quote. An astonishingly good quote.

I've been sitting on it for a couple of months. I've been asking myself why I haven't been shouting it from the rooftops. What should I do with quotes like this one? Paste them over Twitter and Facebook? But of course, says my Inner Publicist. You'd be insane not to. You should be proud that a brilliant writer likes your work and has taken the time to say so. Well yes – I'm not a complete fool, nor am I weighed down with the sort of modesty which is as fake as a tan wipe.

I treasure Sarah's quote. It's amazing. But I am also aware that it's about my writing and not about me. Heaven forefend that I should ever become one of those folk with exceedingly high opinions of themselves who look down their noses at the mere mortals grovelling far below (we've all met 'em). You are hereby permitted to slap me hard if I ever show signs of heading in that direction.

Neither is her quote about every word I have written or will write. It's about this one novel. It's not permission to lean back on my laurels and scribble any old thing and chuck it at a publisher with a casual 'f*ck it, it'll do'.

So I shall keep my feet firmly planted on planet Earth.

Oh, and this is the quote.

"The Palace of Curiosities is a jewel-box of a novel, with page after page, scene after scene, layer after layer of treats and surprises. Garland is a real literary talent: definitely an author to watch."

Thank you, Sarah. Like you cannot imagine.

Published in News

News and Events

  • Feb 2021 - short story featured in 'Queer'
    Feb 2021 - short story featured in 'Queer'

    I can safely say I never expected to share an anthology with Sappho & Oscar Wilde!
    So I’m thrilled my story ‘You’ll Do’ is featured in ‘Queer: LGBTQ Writing from Ancient Times to Yesterday’ edited by Frank Wynne.
    https://headofzeus.com/books/9781789542332

    Queer is an unabashed and unapologetic anthology, drawing together writing from Catullus to Sappho, from Rimbaud to Anaïs Nin, and from Armistead Maupin to Alison Bechdel, translator Frank Wynne has collected a hundred of the finest works representing queer love by LGBTQ authors.
    Queer straddles the spectrum of queer experience, from Verlaine's sonnet in praise of his lover's anus and Emily Dickinson's exhortation of a woman's beauty, to Alison Bechdel's graphic novel of her coming out, Juno Dawson's reflections on gender and Oscar Wilde's 'De Profundis'.

    Written on Thursday, 01 April 2021 12:49
  • 16.11.2020: Guardian Poem of the Week - Rosie Garland
    16.11.2020: Guardian Poem of the Week - Rosie Garland

    Thrilled that 'Now that you are not-you' is Guardian Poem of the Week!

    "A very modern, secular kind of elegy reflects on death with a surprising lightness" - Carol Rumens

    "This week’s poem is from What Girls Do in the Dark, the latest collection by the multi-talented Rosie Garland. It stands alone, while extending the narrative of the short poem that immediately precedes it, Stargazer. The setting of Stargazer is a hospital bedside, where the dying patient’s visitor must navigate “the vertigo tilt / of old words like spread, outlook, time.” That poem ends with the metaphors that will be reconfigured in Now that you are not-you. “Doctors / murmur the names of new constellations / - astrocyte, hippocampus, glioblastoma – and calculate / the growth of nebulae; this rising tide of cells that climbs / the Milky Way of the spine to flood your head with light.”

    Read the whole article here...

    https://www.theguardian.com/books/booksblog/2020/nov/16/poem-of-the-week-now-that-you-are-not-you-by-rosie-garland

    Written on Monday, 16 November 2020 15:28
  • 12.11.2020 - ‘What Girls Do in the Dark’ launch event – ONLINE
    12.11.2020 - ‘What Girls Do in the Dark’ launch event – ONLINE

    7.30pm GMT

    Join us to celebrate the launch of What Girls Do in the Dark by Rosie Garland, with guests Tania Hershman & Ian Humphreys
    About this Event
    Join Rosie Garland, plus guest writers Tania Hershman & Ian Humphreys to celebrate the publication of Rosie's new poetry collection What Girls Do in the Dark.
    Thursday 12th November 7.30pm (GMT)
    This event will be streamed live & can be viewed now, through the Nine Arches Press YouTube channel.

    https://www.youtube.com/watch?v=L9Z7yq1Ey_U&feature=youtu.be

     

    Written on Thursday, 05 November 2020 15:48
  • Cover reveal for 'What Girls Do In The Dark' (Nine Arches Press)
    Cover reveal for 'What Girls Do In The Dark' (Nine Arches Press)

    I thought it wasn't possible to feel any more thrilled about joining Nine Arches Press
    - then I see the stunning cover of my new poetry collection, 'What Girls Do In The Dark'.
    Out October 2020
    https://www.ninearchespress.com/publications/poetry-collections/what-girls-do-in-the-dark.html

    Written on Tuesday, 14 July 2020 13:31
  • April 2020 - The Night Brother, Must-Read Manchester
    April 2020 - The Night Brother, Must-Read Manchester
    Manchester Confidential chooses The Night Brother as a must-read Manchester novel!

    Dystopian classics to modern crime - Nine must-read Manchester novels

    “Fantasy, romance, sci-fi, comedy…we’ve got a genre for everyone
    There’s a very good reason Manchester is a UNESCO City of Literature, as we highlighted before its bid to join the prestigious network in 2017. Innovative publishers, diverse bookshops and a lively events scene make it an unrivalled literary melting pot.

    Rosie Garland’s The Night Brother is our historical highlight
    Ever the entertainer, Rosie Garland sung in post-punk band The March Violets and now performs ‘twisted cabaret’ as Rosie Lugosi the Vampire Queen. But she’s also a literary maverick with an array of essays, short stories and poetry to her name (much of which she also reads at spoken words events citywide) and three acclaimed novels. Her latest, The Night Brother, navigates themes of gender and identity through two siblings in Victorian Manchester. Rich and Gothic, it’s a must for fans of Angela Carter.”

    https://confidentials.com/manchester/dystopian-classics-to-modern-crime-nine-must-read-manchester-novels

    Written on Thursday, 16 April 2020 18:18